Algonquin Middle School
Home of the Eagles
Tanner Lettieri is an eighth-grade student in Mr. Bradley Akans' Language Arts class at Algonquin Middle School in Clinton Township, Michigan. Tanner chose "Norse Mythology and Viking Culture" as the topic for his project, and - since Mr. Akans required his students to interview someone with knowledge of their chosen subject - he sent me a very nice email asking me to help.
Tanner's questions are incredibly insightful and sophisticated. He's a very impressive eighth grader! Below are his questions and my answers.
TL - Norse mythology includes many different gods and goddesses. How many are there, and do they have control over every aspect of life, or are there parts that not even the gods could control?
How many of the Norse gods he neglects to mention Thor's wife Sif and the icy maiden Skadi. Like Loki, Skadi is (temporarily) aligned with the gods - she's actually a giant-maiden associated with mountains, skiing and archery.
There are, as you said, many figures (even beyond what I've listed here), but some of them don't really have developed characters or stories associated with them. In fact, some scholars argue that these lesser gods and goddesses may merely be aspects of the better-known gods that have "branched off" into separate entities.
I don't know if I would use the word "control "when talking of the gods' relationship to the various aspects of life. I think a better word might be "influence". The gods are definitely involved in all aspects of life - birth, death, love, war, creativity, wealth, power, etc - but their contact with humanity is much more interactive and interesting than simple control.
If you ever have to carry the Ark of the Covenant, please be careful!
The Norse gods are very different from the god of the Old Testament, who demands obedience and adherence to his commandments, and who (for example) smites you with lightning if you accidentally bump into the Ark of the Covenant. In the Old Norse worldview, the gods were actors on the stage of life, not all-powerful directors.
Possibly the strongest evidence for the Norse gods "not" controlling life is the fact that they themselves can die - that they are subject to the decrees of the Norns, the three mystic women who spin the fates of all living things. The gods (especially Odin) may mightily struggle against destiny, but they do not control it.
TL - Throughout all the sources I've looked through while working on my project, most have told me that information on the Norse religion is scarce and hard to find, due to the lack of writing used in Viking culture. How lacking is this info?
KS - There actually is a lot of information, and our body of knowledge is continually growing. New archaeological finds occur fairly regularly, and each discovery adds another piece to the puzzle of our understanding of this ancient culture. Linguists and philologists work to reconstruct long-lost language-forms and dialects. Historians study primary sources written by Greek and Roman authors for their descriptions of the Germanic and Nordic traditions of their times. Literary scholars pour over the "Eddas" and sagas of Iceland and try to piece together a coherent picture of the mythology and religion.
You are right, however, about the lack of written sources from the actual believers in the ancient faith. Most of our written records come from well after the conversion to Christianity, when the new religion brought the traditions of Latin learning and writing with it as it moved into northern Europe. We really have a collection of second- or third-hand descriptions of religious practice that were written down by (at best) interested non-believers or (at worst) individuals who were actively hostile to the Old Way.
Books are awesome.
Today, there is a vast body of scholarship on all aspects of Norse history and religion. However, it's very difficult to find reliable information on the Internet, which tends to be dominated by superficial, non-scholarly material. If you have access to a university library - or a good public library - you will find a whole world of books waiting for you on these subjects.
TL - Why wasn't the Runic writing system - the system said to be created by Odin himself in the old tales - not used to write down the legends that skalds told?
The runic system was mainly used for carving in stone and wood. The tradition of writing on parchment with ink came in with the arrival of Christian learning. In pre-Christian times, poems and stories were preserved as oral tradition.
A story from "Gautrek's Saga" underscores the importance of memory for the poet-storyteller. Odin, disguised as Grani Horsehair ("grani" means "moustache"), takes the hero Starkad to a meeting of the gods. Thor is mad at Starkad, since the hero's mother chose a giant for a mate instead of the Thunder God. Whatever gift Odin gives the hero, Thor cancels out.Then just about midnight, Grani Horsehair woke up his foster-son Starkad and asked him to come along with him. They got a small boat and rowed over to another island. They walked through a wood until they came to a clearing where a large number of people were attending a meeting. There were eleven men sitting on chairs but a twelfth chair was empty. Starkad and his foster-father joined the assembly, and Grani Horsehair seated himself on the twelfth chair. Everyone present greeted him by the name Odin, and he said that the judges would now have to decide on Starkad's fate.Then Thor spoke up and said: 'Starkad's mother, Alfhild, preferred a brainy giant to Thor himself as the father of her son. So I ordain that Starkad himself shall have neither a son nor a daughter, and his family will end with him.' Odin: 'I ordain that he shall live for three life spans.' Thor: 'He shall commit a most foul deed in every one of them.' Odin: 'I ordain that he shall have the best in weapons and clothing.' Thor: 'I ordain that he shall have neither land nor estates.' Odin: 'I give him this, that he shall vast sums of money.' Thor: 'I lay this curse on him, that he shall never be satisfied with what he has.' Odin: 'I give him victory and fame in every battle.' Thor: 'I lay this curse on him, that in every battle he shall be sorely wounded.' Odin: 'I give him the art of poetry, so that he shall compose verses as fast as he can speak.' Thor: 'He shall never remember afterwards what he composes.' Odin: 'I ordain that he shall be most highly thought of by all the noblest people and the best.' Thor: 'The common people shall hate him every one.' Then the judges decreed that all that had been said should happen to Starkad. The assembly broke up, and Grani Horse-hair and Starkad went back to their boat.
Here's an illustration of Starkad from 1555.
The huge rune-stick in his right hand
gives the Latin version of his name.
Odin, the god of poetic inspiration, gives Starkad the ability to compose poetry on the spot, like a freestyle rapper. Thor makes the gift useless by decreeing that Starkad won't be able to remember what he composes after he speaks it. In an age when the written word was still uncommon, this meant that Starkad's poetry would be instantly lost. From this tale, you can see that simply being creative wasn't enough; you had to remember what you had composed, too!
TL - Do the stories told by the Norsemen affect our culture any great deal today without most people knowing?
They do. When you study English literature in high school or college, you'll find that one of the foundational works of Old English is "Beowulf", which details both historical and legendary events in Denmark and other northern locales. It preserves alternate versions of famous legends, including that of the great dragon-slayer Sigurd/Siegfried (although Beowulf switches the roles of Sigurd and his father, Sigmund).
"
Many scenes in The Hobbit" - like this riddle contest between
Bilbo Baggins ">Norse mythology tells us that the World Tree
connects Nine Worlds, but artists can't seem
to agree on how to illustrate them.
TL - The Norse gods created several different worlds, each housing its own specific race. Were these separate worlds, or the races within them ever greatly detailed, or just vaguely referenced?
KS - We know a lot about some of them, very little about others. The myths tell us about Asgard (home of the AEsir) in great detail - about the buildings, the inhabitants, the events that take place there. Thor has adventures in J"otunheim (home of the giants) and meets many of its monstrous inhabitants - he usually ends up smashing them with his mighty hammer. Humans live on Midgard, so you could say that all the sagas deal with this world.
On the other hand, we know very little about 'Alfheim (home of the light-elves) and its inhabitants. We may "think" we know all about the elves, but most of our image of them comes from later folk tales and fantasy literature; the myths themselves tell us very little. The dwarves appear in the mythology and make treasures for their gods, but no female dwarves ever show up. I wonder if the dwarves spend so much time in their workshops because they can't find any girls to talk to...
The poems, myths and sagas all suggest that ancient people had detailed ideas about the different races of beings. References are made to 'Alfabl'ot (sacrifice to the elves), for instance. The poems collected in the "Poetic Edda" make shadowy references to stories that are now lost. It seems clear that there was once a more detailed conception of these different types of beings, but they haven't survived in the written record that we have today.
TL - Were the gods immortal like most gods in other religions? The gods - who planned to fight with the forces of evil in Ragnar"ok - seemed to be able to die, so what made them higher then mere men?
The gods are definitely not immortal, and they are not eternal - unlike the god of Christianity, Judaism and Islam, who has always existed. The myths tell us of the "birth" of the first god (he's actually licked from salty ice by a magic cow) and of the deaths of Odin, Thor and the other major gods. They have both a beginning and an end.
The gods fade away without their magic apples.
What enables the gods and goddesses to outlive mortals is their access to mystic apples of youth, harvested by the goddess Idun. As long as they take these sort-of super-vitamins, they stay young and strong. In one story, the giants kidnap Idun, and the gods age and wither until they get her (and her magic apples) back.
The gods are higher than humans in the same way that humans are higher than hamsters; they're simply a higher order of being. The gods are older and wiser, they are more powerful and stronger, and they have access to all sorts of wondrous things that you and I couldn't really handle - Thor's hammer, Odin's eight-legged horse, Freya's falcon cloak and so on.
One way to think of the gods is as personifications of powerful natural forces. In fact, one of the old terms for the gods is "regin", which means "powers." You and I are just people, but some of the gods' names show their very different natures. Thor is "thunder," Odin is "fury," J"ord is "earth." You could even see Frey ("lord") and Freya ("lady") as manhood and womanhood incarnate.
TL - Are there any details on what creatures make up the horde of evil that will face off with the gods? Loki and his offspring are main contributors, but who else?
Surt had a flaming sword long before
Darth Vader had a lightsaber.
KS - The "Edda" and "Poetic Edda" both provide details about the forces of darkness that will fight the gods in the final battle at Ragnar"ok. Loki, Hel, Fenrir and J"ormungand will be joined by an army of evil dead and a host of monstrous giants. Surt will raise his flaming sword to lead giants from Muspell, the land of fire to the south. Hrym will lead the giants from the east, raising his shield before him. The monstrous hound named Garm will break free from his bonds and join the attack. All of the Nine Worlds seem to be involved in the battle, but the allegiances of the different groups aren't completely spelled out. One of the main poems in the "Poetic Edda" tells us that "the dwarfs howl before their rocky doors," but it doesn't tell us whose side they're on.
TL - Why are the AEsir and Vanir gods so different from one another, and why did the AEsir receive more attention from followers of the religion?
Generally speaking, the AEsir are gods of rulership and war, and the Vanir of fertility. However, their roles tend to overlap. There is historical evidence that Thor was invoked in battle, but he was also seen as the patron of the independent farmer; you can see that this reflects both the destructive power of lightning and the fertile power of the rain that it brings.
At the beginning of this interview, you asked if the gods "have control over every aspect of life." Together, the two tribes of gods are involved in the totality of existence. Neither group by itself is enough; they need each other to complete the circle.
Freya was a sorceress before
Odin was a wizard.
For example, Freya brings knowledge of magical practice from the Vanir to the AEsir. Odin learns this wisdom, and goes on to become a sort of wizard-priest and master of magic. So, is magical knowledge a trait of the Vanir or the AEsir? Although Freya is one of the Vanir - and can be seen, in part, as a goddess of fertility and love - she lives with the AEsir in Asgard and divides with Odin the warriors who die in battle. The two tribes of gods have a very complicated partnership.
I'm not sure that I would say the AEsir received more attention from the followers of the old religion. Odin looms large in the poetry that has survived, but you have to remember that he was the god who inspired poets. It makes sense that they would dedicate their poems to him. If we could go back in time and interview old-time farmers, they might tell us a great number of forgotten tales of Thor.
As a matter of fact, historical sources tell us that the ancient temple at Uppsala in Sweden had a huge statue of Thor in the middle; Odin and Frey were placed off to the side. We also know that Frey himself had very devoted followers in both Sweden and Iceland. My point is that different gods were given varying degrees of importance in different locales.
Snorri Sturluson's "Edda" tells us that women prayed to specific goddesses for specific needs. Earlier, I mentioned the 'Alfabl'ot (sacrifice to the elves). The elves - mysterious as they are - are associated with the Vanir in the mythology. Frey, one of the most important of the Vanir, lives in 'Alfheim (home of the elves). As with so much of this material, we seem to be missing some important pieces of the puzzle here.
Like we did in the case of Odin and the poets, we should consider who eventually wrote down the myths. If women writers were the ones preserving the records of mythology and religion, we might have a very different idea of the whole subject - perhaps with a greater emphasis on the Vanir.
"
Frey actually has appeared in the pages of The Mighty Thor",
but it seems like Marvel Comics wasn't sure what to do with him.
It's also important to consider our own contemporary perspective. I grew up reading Thor comics, not Frey comics. It's a lot easier to write adventure tales about a violent god of thunder than about a peaceful god of fertility. Which would "you" rather read? Our own interests can shape our view of the material, and we need to be careful not to project our own attitudes onto a complicated group of people that lived over a thousand years ago, and who had a very complex relationship with this ancient religion.
I would like to thank you for asking me to be part of your school project. Your questions are very insightful and sophisticated. Many of the issues that you raise are the same ones that I discuss with students in my Norse religion college class. You're way ahead of the game in your thinking on these issues, and I am curious to see how your studies progress. Please keep me posted!